Showing posts with label 1993. Show all posts
Showing posts with label 1993. Show all posts

Saturday, August 29, 2026

John Barry – The EMI Years Volume Two (1961)

In my less than expert opinion, this second volume of John Barry's EMI work is worth listening to for two reasons. The first is track #1 on this 28-song collection: the John Barry Seven's theme from "The Magnificent Seven." It's one of those pieces that evokes a setting and a time; in this case, the first time you watched John Sturges' adaptation of "The Seven Samurai". It was a pop hit in the UK, reaching No. 45 on the UK charts, and a really cool version of Elmer Bernstein's original score.

The second is that Volume Two presents Barry's first solo work, "Stringbeat", which proves why this fits well on the Scamp roster. It's killer mood music, edgier than most of the sonic wallpaper that fell under the broad category of "easy listening". If anything, to me, it's a precursor to Swinging London, something you can spin between Who and Desmond Dekker singles. It's outstanding cocktail music and if you don't dig it, I don't know what to do about you.

Click here to download.

Saturday, August 22, 2026

John Barry - The EMI Years Volume One (1957-1960)

It's pretty daunting to write about John Barry in light of his contributions to popular music, especially for a spud such as I. Far better writers have covered just about everything worth covering about the British composer/arranger, and all I can contribute is sharing this first volume of his pre-scoring work.

What appears here is Barry's rock 'n' roll and theme work, reflecting the earliest years of British rock. You can hear the last moments of light music in the first recordings of the John Barry Seven, how England first reacted to the likes of Duane Eddy in the JBS's cover of "Rebel Rouser", and Barry's first film theme work from "Beat Girl" and "Never Let Go", a pair of 1960 films featuring teen idol Adam Faith.

"Is it good, dude?" you might ask. Well, this isn't get the spins from me that the second and third volumes will. But there's parts contained herein that are definitely worth revisiting, which is exactly what I'd expect from a legendary composer like Barry.

Click here to download.

Thursday, July 30, 2026

various artists - No Alternative

If the blog count is to be believed, this is post #750. Pretty good for an amateur writer with a stuttering memory and shit taste in music. It's a real testament to my "never-say-die, never-think-things-through, never-consider-irrelevance" attitude towards life.

"No Alternative" came out shortly after my 16th birthday and is one of the few Columbia House acquisitions I've managed to hold onto. And why not? It was the first Red Hot benefit I picked up, initially for the Beastie Boys and Nirvana tracks. It was my introduction to Pavement, Uncle Tupelo, and Patti Smith. Who could ever part with such a momentous, influential release?

Now that it's been 30+ years that I've owned this, it's a lot easier to look back and pick up on things I missed as a teenager. I didn't know that Urge Overkill were covering Marvin Gaye or that the Goo Goo Dolls were covering the Stones. I definitely didn't know that Bob Mould was the guy from Sugar back then (I did know that Sugar were good). I hadn't yet put together that the leader of the Breeders used to be married to John Murphy. And could I have imagined that the guy from Buffalo Tom would eventually become a troubadour in Stars Hollow, or that I'd eventually associate the singer of Smashing Pumpkins more with pro wrestling than alt.rock? I know all these things and more now, the benefit of age and a greatly expanded record collection. To think: maybe if I hadn't snagged this one all that time ago, I might not have taken this path to the music and the misery.  And you wouldn't have gotten two hundred ninety-two words about it all.

(Postscript: the Sarah McLachlan and Matthew Sweet tracks still swing.)

Click here to download.

Wednesday, October 29, 2025

various artists - Future House: Best Of House Music Vol. 4

I wanted to get in a mid-week post ahead of Halloween, which means a really half-assed post is in order, and this title fits the bill to a T. I picked this up a few years ago for a buck, solely on the presence of a Leftfield track and that it was released on Profile. I kinda dug the cover, too; the green-on-purple just really grabs my attention. How could I turn it down?

Someone more involved in this scene in the mid-90s and less involved in their junior year of high school can speak to whether this is an example of truth in advertising. Is this, indeed, the best of house music from 1992-1993? Shit, I barely knew what Maximum Rock 'n Roll or Fugazi were back then, so I am far from qualified to determine what's good. I like it; it's got a good beat, and you can dance to it. Dick Clark gives this a 69.

Click here to download.

Thursday, October 16, 2025

various artists - Chairman Of The Board: Interpretations Of Songs Made Famous By Frank Sinatra

Forty-one bands covering forty-one Sinatra standards, released by the short-lived Dutch East India imprint Grass Records in their first year. "Over 2 hours of music!" it proclaims from the cover.

Is this good? Well, even though I've owned this for 20+ years, I can't say that I've listened to more than a handful of tracks (Jawbox, Cherubs, Screeching Weasel, GvsB). So I'll say...maybe? Probably? Shit, man...I don't know YOU.

I did NOT properly tag genres on this before uploading, and I'm not going to do it now. You get to decide if you'd categorize the Toadies as alternative, grunge, or college rock.

I probably should listen to these in full before I go sharing them. So let's dive in together.

Click here to download.

Thursday, September 18, 2025

various artists - Faster & Louder (Hardcore Punk, Vol. 2)

I didn't pick this one up for a while after I grabbed Volume 1, and it shows up in how my taste developed. Hüsker Dü was on Volume 1, had a reissue of their early Reflex/New Alliance records on Rhino, and an in-print SST catalog. So I was super into them by the time I copped this in 1995. Likewise with Negative Approach, whose discography on Touch & Go was as big a deal for me as "The First Four Years". I'd been turned onto Fear via a dubbed copy of their infamous 1982 Saturday Night Live appearance. And EVERYONE from D.C. covered "12XU" by Wire, leading to purchases of the first three LPs, helpfully reissued on CD by Restless Retro. 

Zero Boys and Black Market Baby, however, were mostly out of print, with some records available on Germany's Bitzcore, which didn't have great distribution in southwestern Virginia. I wouldn't get into the Germs or X or the Dils until Frontier put out their Dangerhouse surveys. Naked Raygun was relegated to rumors and 3rd generation dubs until the Quarterstick reissues came out in the late 90's. I'm STILL not sure I've ever seen a Strangehold record in the wild.

But that's the cool thing about both volumes of Faster & Louder. The songs have a way of burrowing in, so that when you saw that Posh Boy pressing of "Living In Darkness" or a cassette of "Over The Edge", you knew to snap them up, because you'd heard "Bloodstains" and "Romeo" for the first time on a comp CD. This wasn't what was coming out on Epitaph or Lookout!; this was the first wave, where it all began. And while it felt like a different era back then, it was, like, only 10 years old in a lot of cases. There's truly no way to compare it to anything today. But, shit, man, I'm glad this was there for me.

Click here to download.

Monday, September 15, 2025

various artists - Faster & Louder (Hardcore Punk, Vol. 1)

Let's celebrate my recent birthday by stepping away from Mojo Mondays to share a pair of comps that, frankly, I'm kind of shocked I've not written about yet. This was my first exposure to the first wave of American hardcore, entering my tiny collection the same year as "Never Mind The Bollocks..." and "Steady Diet Of Nothing" did. An auspicious trio, all things considered. This is one I immediately taped onto a C-60 and played half to death throughout my teenage years.

You can get nitpicky as fuck about the track selection on Volume 1, but I think it's unimpeachable. The first half are just S-class: you could start your mixtape with any of these first eight tracks, from "Holiday in Cambodia" to "Get It Away", and the recipient would know they were in for a very good time. The second half, in 2025, could feel a bit more thematically disjointed. But Redd Kross were once Red Cross and shared members with Circle Jerks, Negative FX opened Mission of Burma's last show, D.O.A. released "Hardcore '81", and the Stains moved to San Francisco, became M.D.C., and released one of the all-time great international HC comps in 1984's "International P..E.A.C.E. Benefit".

This was a mind-melter at the tender age of 15. While missing a trio of key names of that early scene in Black Flag, Minor Threat, and Misfits, this was a key introduction for me, along with the second volume (also released in 1993). Plus: Gary Panter artwork! It'd be cool as hell for a Real Gone Music to reissue this one on vinyl, especially considering I'd love to frame this cover.

Click here to download.

Thursday, July 10, 2025

various artists - Particle Theory (A Compendium Of Lightspeed Incursions And Semiotic Weapons From Warner/Reprise)

Ah, yes; the rare place to find Elvis Costello, Boredoms, Sven Väth, and Julee Cruise all in one place.

The Warner family of labels, circa 1993, was a pretty rad assembleage. There was big daddy Warner Bros. Records, who released "The Juliet Papers" that year, a weird concept for 16-year-old me to wrap my brain around. Elvis Costello with a string quartet? Don't worry; I get it now. They'd also put out records from the Flaming Lips and Goo Goo Dolls, which actually got daytime airplay on the one rock station in town. Then there was Ms. Cruise, who, at the time, I wasn't actually aware had worked with David Lynch on the Twin Peaks soundtrack.

Reprise was still flogging Mudhoney's first major label record, put out a Boredoms record in the States, which tickles me to no end, and were still trying to break Babes In Toyland big. Their release slate in 1993 was a bit mixed in quality, but I like how weird a mix it is. You just don't see folks throwing around major label advances on odd shit anymore.

There were also co-releases from Sire, 4AD, Giant, Blanco Y Negro, and American Recordings, all bearing either the WB shield or lower-case R. "Alternative" was a pretty big tent back in 1993, and the majors hadn't had a chance to cock it all up yet. For me and many other future college radio DJs, it was a good time to catch a shotgun's blast worth of genre music and absorb it all, even if you weren't totally into it right away. And, hey, this one could have turned out worse. Candlebox put out a record on Sire in 1993 that sold a metric fuckton and very well could have been represented here. The compilers got it right on this one.

Click here to download.

Thursday, June 26, 2025

various artists - Amphetamine Reptile Records 1993 Sampler

It never gets old to me, the idea that someone at Atlantic Records thought that the rest of the AmRep catalog might cross over to mainstream popularity, in the same way that Helmet did. "Sure," I believe the thinking went, "the kids will go ga-ga over Today Is The Day and Hammerhead!"

Was cocaine involved? I have to assume the answer is "yes". It's the music business!

Anyway, this one came delivered to your door with your mailorder from Haze's bunker in Minneapolis. What a grand way to get a sniff of Chokebore, Helios Creed, Cosmic Psychos, and Cows. It's the sort of scuzz that'll twist out a 15-year-old, make them turn away from Pearl Jam records and start trekking out to dark corners of their towns. Haze's artwork on the cover seals the deal. This one warps brains and perverts the heart. Obviously, it's a classic.

Click here to download.

Monday, March 31, 2025

various artists - Blues Masters, Volume 6: Blues Originals

Thorw away post: my joints are sore and I'm phlegmy and I haven't recovered from the visit from Mother Mummy. So you get some more blues masters, a perfectly apt title for something that includes Muddy Waters, Howlin' Wolf, Robert Johnson, and Elmore James.

I sent this one to my 11-year-old niece in a box of CDs for her to check out. Gotta turn the youth onto the goods, right?

Click here to download.

Thursday, February 13, 2025

various artists - Love & Napalm

I picked this up at a record store on California's Central Coast over the holidays, from the guy who used to sell Mrs. Ape Mummy her teenage 7"s and weed to her uncle. I love his store; he's constantly playing stoner rock and doom metal at levels far too loud to be appropriate, and everything always smells like nag champa. He will tell tales about how old timers on the police force still ask him about his head shop. The aged masters of record stores are almost all retired or dead, but a few still keep the flame alive, and are willing to share a look at their Sabbath bootlegs should you seem "cool".

King Coffey's Trance Syndicate put this one out, headlined by the almighty Cherubs and backed capably by the likes of Ed Hall, Crust, and Drain. I'm not exactly sure why I was intimidated by a bunch of acid-soaked Texans back in 1993. When our paths have crossed since then, they've always seemed like such nice fellas; real salt of the earth.

Have a little loving clamor for your ears on Valentine's Day, whether you're solo, paired, or in a throuple.

Click here to download.

Thursday, December 5, 2024

various artists - Only The Strong MCMXCIII

Considering I've been listening to hardcore for 31 years is warping my brain a little bit. Which may be why I'm willing to consider a release on Victory Records, a label that Mark McCoy once sang "sucks" in an all-timer from Charles Bronson. But this comp, the tenth release on the now-notrious Chicago label, decidedly does not suck. It's led off by Warzone, one of the few bands still live and kicking from the seccond wave of HC.Then it's a pretty great lineup of bands that felt super huge to me when I was 16: Resurrection from New Jersey, Snapcase and Zero Tolerance from Buffalo, L.A.'s Strife, Louisville's Endpoint, and Black Train Jack from NYC.

In a time long before the internet, Warped Tour, or reunion package tours, or even when you could find many punk/HC records at your local record store, this was an audio flier for bands you could actually see play live. You could be that kid on the cover. You could drive to Blacksburg or Charlottesville or even all the way to DC to see someone like Bloodline play. It was the damndest game of telephone: reading zine reviews and fliers and thank you lists and distro pamphlets to discover what was available and currently happening. Resurrection was how I got into Lifetime; Endpoint led me to Slamdek Records; Warzone had me ordering records every three months from Revelation Records, newly relocated from Connecticut to Southern California.

The best part of this? I probably hadn't listened to this since the late 90s when I pulled this out of a box a bit ago. But the music still sounds vital, the lyrics no less strident than they did three decades ago. This still fucking rips.

Click here to download..

Monday, August 26, 2024

various artists - D.U.M.B. Rock: The Hollywood Tapes

Focusing one's attention on cheap comps allows one to take some risks and discover sounds you would have never encountered otherwise, Case in point: this 1993 compilation of NYC sounds, featuring liner notes from contemporary Maximum Rock 'n' Roll columnist George Tabb, whose writing I took a liking to in my first years of punk rock discovery.

This one came out on Celluloid, a label I've always found curious for the breadth of their releases. Their early US releases were a who's who of Downtown sounds: Bill Laswell, Alan Vega, Phase2, and Grandmixer D.ST. They put out a few Fela Kuti records in the 80s; I think the first things I owned on Celluloid were "Hustlers Convention" and "This Is Madness". By 1993, Celluloid was on its last legs, having been sold for a dollar in 1989, and mostly existing as a catalog label by this point. I can only speculate, but Vital Music, who'd released the other "Dumbrock" comps, probably piggybacked on Celluloid's transcontinental distribution reach in order to get this one in as many hands as possible.

"But is it any good?" you ask. Good question; you be the judge. I don't feel like it was a buck poorly spent on my part. And that's all the insight I'm willing to spend on this one.

Click here to download.

Monday, April 8, 2024

various artists - The 2 Tone Collection: A Checkered Past

This is an all-timer of a comp, a collection of every released A-side on 2 Tone, and just about every double AA-side as well. And what a set of performers and songs these are: the Specials, Madness, the Beat, the Selecter, the Bodysnatchers, Rico Rodriguez. It's clearly not full encompassing everything from the second wave of ska, but this is the sort of thing that, 30 years ago, you would have put into your younger sibling's hands so they had something great to listen to.

I did not have an older brother or sister to get this from. Truth be told, I can't even remember my first exposure to the Specials. It would have come around this time, that period of later in high school when one crosses over from mainstream radio into the underground out of curiosity or provocation or some combination of the two. But i can say there was rarely an episode of my radio show where I didn't play something off this collection. It was as intrinsic to my identity as Fugazi or Issac Hayes or Public Enemy.

So it kinda freaked me out when, at some point last year, I went to put it on my phone and I couldn't find my copy. Not ripped to digital, not present in physicality. Many of these songs were present elsewhere in my collection, but I really wanted to listen to the Bodysnatchers, having been inspired by Belle Stars' 7"s I had downloaded from a TwilightZone! post. No cobbled-together playlist would do, and I wasn't going to give in to Spotify for this. I dashed off to Discogs and, within a week, I could scratch my itch.

I had been sitting on this download for a minute, just waiting for the right moment to share some thoughts. It's springtime now, when my JA tastes always shift from dub to ska. This is a good soundtrack for this time of year, when the grey disappears from the sky and good things seem imminently possible.

Click here to download.

Thursday, December 21, 2023

various artists - Ask The Sky

I bought this 30-year-old comp from a Half Price Books clearance shelf for $2 because it had Redd Kross on it. I figured, hell, if the "Phaseshifter"-era McDonald brothers are batting lead-off, then the rest of the lineup can't be too bad. And I was right. This one's a mix of UK & US early 90s indie and Japanese indie pop. The Penelopes' two songs are great, and Samantha's Favourite is a band I'll be keeping an eye out for. This one probably should be on I Hate The 90s, but I never heard back about contributing there, so here you go.



Click here to download.

Tuesday, October 31, 2023

The Mummies / Supercharger - Live At Cafe The Pit's

Once you reach the fourth year in a row, you're kinda obliged to keep a thing going.

So Happy Halloween, you maniacs. Thanks for stopping by, downloading some jams, and occasionally leaving a comment. It's the Mummies...LIVE, along with fellow garage enthusiasts Supercharger, in a Belgian club you can still visit.

Discogs


Click here to download.

Monday, October 23, 2023

various artists - Teen-Beat 50

This record will turn 30 years old in a few weeks. This millenial of a compilation is still paying off its student loans, has probably delayed getting married, might have moved back into their mom's place.

A split release between DC's Teen-Beat and NYC's Matador, Teen-Beat 50, as the story goes, was originally scheduled to come out in 1990. which would have made this one of the first ten recordings on the now-indie titan. I'd guess it'd slot into that same space now filled by New York Eye And Ear Control. Teen-Beat was well known for split releases, working with Homstead, No. 6, Ajax, and a host of others; all to get some of the best bedroom indie of the late 80s and early 90s off of cassette and onto wax/CD.

Your listening experience runs the gamut, from Dischord contemporaries Circus Lupus and Autoclave, to goof-assin' from Sexual Milkshake, to an early Carl Newman track from his pre-New Pornographers band Superconductor. A shitton of Teen-Beat luminaries perform: Unrest with 3 appearances, Butch Willis, Jonny Cohen, Andrew Beaujon (on four tracks). This here's the CD release, which has 11 more recordings than the LP version.

I'd held off writing about this b/c I wanted to talk a bit about what Teen-Beat means to me as a counterpoint to Dischord in DC music history, but I never could pull my shit together well enough to make a solid enough essay. Let me say that I feel very lucky haven't been turned onto Fugazi and Unrest almost simultaneously, and to become aware of both frontperson's labels. To discover that sense of possibility, that you could follow your own path and have folks glom onto it...it stuck with me. Clearly.

Click here to download.

Thursday, October 19, 2023

various artists - Blues Masters, Volume 15: Slide Guitar Classics

Look, you really shouldn't need a reason to download this, populated, as it is, with some sick Chicago Blues, early rock & roll, and a couple of random blues rarities, none of which are younger than 35 years old.

But if you do need a reason, do it because it has Blind Willie Jefferson's "Dark Was The Night - Cold Was The Ground", a song so exemplary that Jack White regards it as the finest example of slide guitar to be recorded, and one of a handful of musical pieces to make it onto the Voyager Golden Record, wedged between pieces by Kesarbai Kerkar and Beethoven. Fine company, to be sure.

Discogs


Click here to download.

Tuesday, May 30, 2023

various artists - Blues Masters, Volume 9: Postmodern Blues

Some random anecdotes about some of the artists on this here comp:

  • My dad loved Stevie Ray Vaughan. Along with Clapton and Spanky & Our Gang and Little Feat, SRV & Double Trouble was one of those groups I'll always associate with tooling around the north Atlanta suburbs in my pop's white Audi diesel, windows down, a cold can of beer in the old man's crotch, sweating in the Southern heat as this Texas white boy wailed on the blues.
  • I get this flash, every time I think of Albert King, of building out a Stax/Fantasy dump bin in the first record store I worked in. I wasn't ready to hear anything from him until years later; a crucial mistake for how sick some of those Stax sides are. I really missed out on grabbing a master of 60s Memphis blues at 50% off $12.99.
  • There was a radio station in Atlanta during the late 80s that would do a Friday wind-down/celebration and would play George Thorogood & the Destroyers' version of "One Bourbon, One Scotch, One Beer" on occasion. Pre-teen me thought it was the coolest shit, even though I didn't ever connect that it was, at that time, a 40+ year old blues song from Amos Milburn until years later. I just thought it sounded cool.
  • I really don't dig on B.B. King, although I had a few good times over the years at his BBQ restaurant in NYC.

The entire "Blues Masters" series, released by Rhino across 18 volumes from 1992 to 1998, is worth snagging piecemeal whenever you see it. Like so many Rhino releases from this era, they make up a great starting point to check out a genre or era or label. And these, when you do see them, rarely go for over $5.

Discogs


Click here to download.


Read This One

Post #400: Double Dagger - Ragged Rubble

It took from May to August 2000 to go from 100 to 200 posts. Then I hit 300 posts two days before Christmas 2000. And now I'm here, anot...

People Liked These