Showing posts with label stoner rock. Show all posts
Showing posts with label stoner rock. Show all posts

Thursday, September 19, 2024

various artists - Take Your Medicine::A Heavy Dose Of Sonic Overload

I do a fair amount of my writing on Sundays while I'm doing laujndry adn avoiding more focus-intensive chores. The trade-off here is that Mrs. Mummy plays one of her numerous YouTube playlists, comprised of the outer edges of international popular music. It pushes me back to the familiar; not that I don't love NewJeans or whatever Mexican pop princess she's playing, but I does force me consider what I'm going to share, and why.

Take this 1996 compulation from Boston's Wonderdrug Records. I was familiar with a few of the names on this comp when I snagged it online for a $1 a few months ago: Scissorfight, Slughog, and Honkeyball, to name a few. I knew the label itself was of the same area, temporally and geographically, as Big Wheel Recreation and Tortuga Recordings, although they covered a different piece of the heavy music world. This is more stoner rock/desert rock/acid punk than I listened to back then. While most of these bands wouldn't be out of place on an Eyehategod or Nebula bill, I'm still not sure it holds my interest so far after the fact as bands that came out on AmRep or Man's Ruin during the same time.

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Tuesday, December 29, 2020

Baroness - demo

I mentioned it a ways back about that time Baroness jumped on a show I booked at the second Talking Head, how they only got a few songs played in the course of an hour on account of failing gear. But they ripped those few songs, and I got their demo for my trouble, and then about three years ago I sold said demo for something like $50, and, phew, is this sentence going on long.

This two song demo was recorded a few months before Baroness recorded "First". They cut early versions of "Tower Falls" and "Coeur" with Pavement drummer Steve West (?!?) in his Marble Valley Studios (I'm guessing in Charlottsville?), and dropped them onto a CD-R with the delightful artwork you see below. Only John Dyer Baizley remains from that initial Baroness lineup, and the band records now under their own Abraxan Hymns imprint, distributed by Warner Music Group.

I remember being really stressed out by them playing, but digging it because it was heavy, and then not really being curious about seeking out their music again. Very off brand for me. But I guess Mastodon and High on Fire filled that niche in my earbrain at the time, and now I'm thinking maybe it's time to give it another go.



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