various artists - Music For TV Dinners

I wrote about the second "Music For TV Dinners" about a year ago. That one seemed to be pretty popular. And I came across a grip of 90s Esquivel! CDs at the local Half Price Books last weekend (owned 'em all already), which inspired me to revisit this first volume, which, oddly enough, I only snagged a copy of about two months ago.

But it was worth the wait, right? Allow me to apologize for not properly dating each track contained herein. You'll find some names in common between the two volumes; Laurie Johnson and Johnny Pearson are the two that I key on. This one surveys the KPM and APM library music catalogs, and, to me, it whets my appetite for space age, lounge, tiki, and other atomspherics that all faded away as synths, beats, and dissonance all filled the scoring space. It's the sound of the late 50s and early 60s, our themes for better living through technology!

It's a vibe, as the kids say. Beats the hell out of what's happening in the world right now.

Discogs

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various artists - A Dirty Shame (Original Motion Picture Soundtrack)

I'd had this idea once that I would gather all the soundtracks from John Waters' filmography, and post them here, along with my thoughts on the film and sounds. Clearly, I've not followed through until now, and I don't think I'm going to do it, but better to disclose, I suppose.

This is, at this late date, the final feature from the Baltimore auteur, a development that makes me sadder every single day. While a lot of folks don't think highly of "A Dirty Shame", I like it just fine. I love the ongoing images of Tracy Ullman manning the register at a High's Dairy Store, Johnny Knoxville hanging out on Harford Road, Selma Blair flouncing about northeast Baltimore. By the time this came out, I had a few friends who'd bought houses out where this was shot. I still lived downtown, so I took joy in calling them neutersm teasing them for finding housing outside the Beltway.

"He who fucks nuns/will later join the church," the saying goes. And the author types it up in a comfy suburban apartment, overlooking a pool turning green in the fall's light.

The soundtrack reflects Mssr. Waters' taste to a T; a mix of rockabilly, jump blues, rhythm & blues, novelty cuts, and early rock 'n' roll. James Intveld's score gets represented with "Let's Go Sexin'"; fine advice, if I've ever heard it. It's all enough to make a Balmer boy miss home, to lust for a RoFo 2-piece and a roll, a trip to Sherri's Showbar, some late night hangs Holiday House.

Discogs

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various artists - Music For TV Dinners: The '60s

Back during COVID Year One, when I was just barely backing off the throttle of a post a day during the revival of this here blog, I made an ill-fated, poorly-executed decision to write about and share the entire Scamp Records catalog. Scamp was a Caroline imprint, executed in the mid to late 90s to reissue a bunch of EMI's easy listening catalog and exploit the lounge revival. I'd been coming across a few of them for super cheap, and thought "here's a fun topic to revisit."

(A brief explanation for my younger readers: somewhere in the early 90s, Gen X'ers rediscovered tiki bars, fruity drinks, and Esquivel in their quest to move on from R.E.M. and legitimize kitsch and camp. Some of it was thirsty as hell, but it opened the door to appreciate the fun parts of 50s and early 60s exotica culture. And there are definitely parts still worth appreciating.)

At any rate, even though I shit the bed following through (click the Scamp tag to see how well I did), I did continue acquiring Scamp titles, to the point where I'm just missing one release and one promo. I've almost done it, kind reader. I've bought a gaggle of CDs that have been out of print almost since I graduated high school. It's a high point in a low life. Some people share pictures of their kids; I'm stoked to share records that have been out of print for almost 30 years.

So here's "Music For TV Dinners: The '60s". It's library music from the incredibly deep Barry Music Co. catalog. The publishing was all held under EMI Music Publishing, hence it's available to be mined for this comp. Maybe you didn't know you needed a record of music that all sounds like it was the soundtrack to late 60s British television. Let me assure you, dear friend: you absolutely DO need this music.

Discogs

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various artists - The Sound Gallery Volume Two

Remember back when I said I was going to post all the Scamp reissues I owned? And then I did no such thing? And I became what is known affectionately the world around as "a liar"?

That was a good time.

Clearly, Rome was not built in a day, and lies cannot be rewound, only countered. Here's my piddling effort, a swing to make things right for your Monday. This is Volume Two of the two-volume Scamp series "The Sound Gallery". Why not Volume One first, you might ask? Well, Volume One lives on a hard drive that I cannot currently find. So Volume Two is what you get.

What you get here is a wealth of late 60s through mid 70s film scoring/library music/lounge music/songs for the swapping set. Were you born too young to throw your keys into a bowl at a party? Does the word "Eurosleaze" evoke clear images for you? Do you crash YouTube looking for four-episode ITV adventure series? Then this here is your soundtrack.

Discogs

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101 Strings - Astro Sounds From Beyond The Year 2000

Remember, like, a month ago, when I was all, like, "Hey, I have all the Scamp Records releases now. I think I'll do a write-up and post about each and every one!" Hey, good times, right? Whatever happened to that?

What happened is a combination of: A) my external hard drive, which holds the vast array of my MP3 collection (and, yeah, don't think I don't get a little douche shiver every time that phrase comes up), has disappeared in one of five different places in Mrs. Ape's and my apartment; B) the hard copies of each release are spread across any number of 14 X 14 X 14 boxes in one of my storage units (that's right, units, dude); and C) I cannot be arsed to tear either the apartment or my storage units apart to rectify the situation.

Did I write that run-on sentence to justify the use of the phrase "cannot be arsed"? Damned right, I did.

So I replaced my beater, 128kbps listening copy of SCP 9717-2, 101 Strings' "Astro Sounds From Beyond The Year 2000" with a physical CD the week before last, not only to honor my commitment to you, the kind reader, but also because it was a decent price, and the seller had a copy of that Mission To Burma comp that I posted a few days back. And now I have good cause to post one of my favorite space-age/Now Sound records of all time.

This exists as one of those grail records that would turn up in more thrift stores than record stores, because as any crate digger knows, hitting a vein of 101 Strings records means you're about to dig through a fat stack of budget mood music. When I've talked to buds about this in the past, and shown them the cover, they've all collectively slapped their heads. They've seen it, handled it, even, but few ever actually bought it. Those who did snag it immediately encountered truth in advertising, a record consisting of psychedelic instrumentals, swinging, modern sounds...the kind of stuff your grandparents got loaded and spouse swapped to.

I love this shit so much. It's so much cooler than most of the rest of 101 Strings' extensive catalog; hell, I'd put it up against the best of Esquivel are far as being "far out" and "outta sight". It presages everything from Isaac Hayes' "Hot Buttered Soul", to AIR's score for "The Virgin Suicides", to the various beats of Danger Mouse, all the way up to J.G. Thirwell's most current work. The good folks at Modern Harmonic did a nice reissue of this in 2017; it was the first American vinyl reissue in nearly 50 years. However, I copped this because the 1996 Scamp release, albeit not on vinyl, came with three extra cuts from 1970's "The Exotic Sound Of Love", which has yet to be reissued since its original release. One can only hope that day comes in the near future...or I just turn one up while mining one of those veins of otherwise garbage vinyl.

Discogs

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