
I'm definitely in "writing-for-the-sake-of-writing" mode. For one, I spent five minutes explaning the thought process behind this whole thing to my boss, who, as is his wont, proceeded to shit on it. Well, fuck 'im. And fuck a rock star posed picture, like you see above.
I threatened to post something about Sense Field about a month ago. The initial threat took place on a posting of the Fabric 7" on Zen and the Art of Face Punching (which is maybe the worst record I've ever downloaded...ever). Please. Let me explain something. Most of us are either young now, or were young not too long ago. There are a million musical skeletons in our collective closets. You could be Craig Finn or Ian MacKaye or some other god of rawk and you probably listened to some miserable, embarassing shit when you were 17 like E.L.O., 7 Seconds (circa '87), Madonna or the Spice Girls. Hell, Lemmy played for four years in Hawkwind. Well, I was 17 in 1994, and I listened to Sense Field. A lot of it. More of it than was good for me. And I fucking loved them.
I used to bomb around the Maryland/Pennsylvania border, back in '97, up by Conowingo Dam, blasting Building out of the shitty factory speakers of Ben Casey's Jetta. I was young, fer Crissake. I didn't know trite from a hole in my head. They were a pop band...no different from Journey to my ears. And I was stoked for their first record due out on Warner Bros. I waited 3 years for that record, which never came. The label didn't hear a single, or so I was told. And the decision was made 2 weeks before the release date! What the hell was that? A friend of a friend burnt me a CD of the promo that had leaked out. In those pre-Torrent days, this was a true coup. And the record wasn't bad? What was management at the WB thinking?
A few years later, long after the excitement of getting that burnt CD had worn off, I found a promo copy of Under the Radar in the dollar bin at the now-defunct Joe's Music Emporium on Harford Road. So the rip here comes from that. I've never felt so nerdy as to play this side-by-side with Tonight & Forever, the 2001 Nettwerk release that announced Sense Field's return to recorded media. Supposedly, T&F is a re-recorded version of UtR. I dunno...make up your own mind. It's weird to me how eminently forgettable bands who I once loved now sound...
Sense Field - Under the Radar
RIYL: the In-Flight Program sampler, alternative radio in 2002, emo as a slur