It seems strange to me that I haven't written more about being a big dork for Arlington, VA's Teen-Beat Records. After all, it's not like I just got into them last week. The Mark Robinson-led label has been a part of my life ever since I moved to Baltimore in '94, having copped Unrest's "Perfect Teeth" shortly after landing there. Here was a sonically different fellow traveler to my beloved Dischord, a place that melded pop influences with DIY ethics and a postmodern visual aesthetic. Along with what was coming out of K Records in the PNW, it was a place where Madonna and Enya could meld with Crispy Ambulance and Cath Carroll into something that was distinct and familiar to this 17-year-old boy.
This is the fourth in the Teen-Beat Annual Sampler Series, and it's a pretty good one, a proper sampling of both the current label roster as well as a smattering of some super deep cuts from the catalog. The Rondells' record was one that I listened to nearly to death in 1999, and their cover of "Like A Prayer" got played a lot on my radio show. There was something familiar about True Love Always' "Faust"; it would be years later that I'd connect that it originated from de Palma's "Phantom Of The Paradise". Versus, Flin Flon, Tel Aviv: their songs from their then-current records laid out a indie pop present very different from what was playing on the radio at the end of the millenium, but just as danceable and worthy of singing along.
