various artists - Mojo Presents: The Bad Seeds Jukebox

This one's been sitting in my Kraken folder since last September. I had initially intended to dash off fifty words about this; "it was compiled 10 years ago by Nick Cave & the Bad Seeds, it has a bunch of weird shit on it, blah, blah, blah." But something told me, "hold back for a laundry day. Listen to this on random. Throw the tracks in with a bunch of your regular tunes."

So I did. And gratefully so.

Other than the curators, I grabbed this initially because it had tracks from Adrian Younge (who I've heard and loved), Betty Davis (ditto), and Karen Dalton (who I'd heard of, but never heard). And there were no surprises there; everything I'd heard about Karen Dalton was, if anything, understated, and I rushed out to cop her two initial releases.

It was the unfamiliar that knocked me for six, especially when it was slotted in between a Get Up Kids track and some classic Adam & the Ants. The likes of Moondog and  Giorgos Xylouris were revelatory; "Else Torp singing Arvo Part" is a sentence that is almost unfair in its simplicity, for how powerful a track it is. Even songs from Thurston Moore and Bill Callahan are almost gobsmacking in their strength. It's enough to make me reevaluate how I feel about those artists.

(Hint: I wasn't a fan.)

So, yeah, this has been on my phone for about five months now, on account of how it inspires me to listen broadly and experience sound differently.

Discogs

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various artists - Lonely Is An Eyesore

I was sincerely stoked to turn up a $2 copy of this in one of my usual haunts a few months ago because, hey, it's winter time. It's time to listen to This Mortal Coil whilst wearing a cable knit sweater in the dark. Winter! Grey skies! Light winds! Howling wolves!

I have a much greater appreciation of these sorts of recordings now than I ever have before in my life; a strange development, considering it's the first time in my adult life where I've felt like my depression has been under control. This is a soundtrack to being in your early 20s, thinking the deep thoughts all alone and feeling just more than a little miserable. So explain to me why I'm digging this so much now than I'm twice as old and pretty much content to turn my brain off for hours at a time.

I skip over Throwing Muses every time it comes on. Still don't get into any of their music; I'm totally into Kristen Hersh's and Tanya Donnelly's solo recordings and other bands, tho.

Discogs

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Tomita - Snowflakes Are Dancing

The older I get, the more new age I find myself listening to. I've found a few Tomita records on my sojourns into the world, and they're always a welcome addition to my collection. "Snowflakes Are Dancing" was Tomita's first record to get released outside Japan, his first release on RCA Red Seal, and the first of his five 70s records adapting classical music for the synthesizer. Here, it's Claude Debussy, channeled into quadraphonic Moog. It's just great stuff.

For dorks only: this was ripped from the 1991 CD reissue, produced with Dolby Surround encoding. So, you know, if you still have a hi-fi, feel free to get real loud and blow this out. The later editions have some corny looking artwork that I can do without; honestly, I'd prefer a color scheme on this one that was more in line with the aquas and greens present in the original 1974 art. But if you want to get really buck wild, Music On Vinyl released a 180g reissue of this earlier this year, featuring the original record on crystal clear & white marbled vinyl. It looks pretty sweet, and I'm sure sounds the same.

Discogs

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Tomita ‎- Live At Linz, 1984 (The Mind Of The Universe)

It's the fifth of the month, and the rent still due, but let's look to the future, shall we?

In a step away from my normal fare of "three chords and the truth" (let's be fair, it's more "two chords, a blast beat, and an haiku"), I thought I'd share a recent obsession. It's Japanese electronic artist and composer Isao Tomita, whose back catalog is mostly, sadly and unfairly out of print here in the States. Now, I'm not a streamer, so I've no clue if you can just whip up something like his recording of Holst's "The Planets" on Spotify. But I've turned up a few of his recordings on vinyl, CD, and tape recently, and I think it's worth checking into.

Brian Eno (rightfully) gets a lot of credit for originating/popularizing ambient music, but Tomita contemporaneously served as a counterpart to Eno and Wendy Carlos, bringing synthesized sounds to the music listening public in the 60s and 70s. Tomita composed music for Japanese gymnasts and anime soundtracks, adapted composers like Mussorgsky and Holst, and made a record of 60s pop and rock standards...basically as a Quadrophonic demo for Sony. Without knowing it, I heard his music first as a kid, watching "Star Gazers" and hearing him adapt Debussy for the theme song. Hell...he even did the theme for the "Zaitoichi" TV series.

ANYHOWWWWWWW...

In September 1984, Tomita performed live at the Ars Electronica festival on the bank of the River Danube in Linz, Austria. The program was nothing but bangers: Holst, Stravinsky, Wagner, Vaughan Williams. Even John Williams' theme from "Close Encounters Of The Third Kind" made an appearance. It's a pretty awesome concert, the sort of thing that you could play a kid and made them fall in love with composition and the classical tradition. I wish I'd heard it in full when I was 8...or seen it live.

RCA hasn't reissued this anywhere since 1991, which I think sucks. See for yourself. I assume, as a purveyor of the finer things in life, like 20-minute long records with 30 songs, and forgotten Italian giallo movies, you'll probably dig this.

Discogs

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