You can call me out if I sound like a dick, but by 2004, Revelation Records, a record label I had always held in very high esteem, just wasn't throwing its fastball anymore. Just five years earlier, they'd released a number of outstanding records, all branching out from Rev's hardcore roots while remaining in fidelity to the underlying ethos. Farside's "The Monroe Doctrine", the Sparkmarker anthology, the first Judas Factor full length, Kiss It Goodbye's "Choke" EP, and Himsa's "Ground Breaking Ceremony" all came out in '99, and, for me, represented the ways you could evolve hardcore.
But by 2004, that wasn't the case for me. Which is why this sat in a box for a decade plus before I broke it back out to revisit a few months back. Granted, the scene had changed a bunch in the intervening five years. But Curl Up And Die and Since By Men just didn't hit the same way as their predecessors. The idea of a Dag Nasty reunion full length was a lot cooler than the actual full length. The best contemporary bands here were Long Island's On The Might Of Princes, whose last LP had been released by Revelation in 2003, and Oakland's Pitch Black, who played a sort of West Coast punk that wouldn't be out of a place on Epitaph or even a major label in 2004.
If the dating on Discogs is to be believed, it was just a lean year for Revelation. While their distribution wing was still going strong, this sampler and a Since By Man EP were the only records they put out in 2004. The following year, they'd release the Judge discography, the Bold discography, a Shai Hulud rarities disc, and the most excellent "Generations" compilation, arguably one of the best comps from that era. In 2006 came their first releases from Shook Ones, Sinking Ships, Self Defense Family (as End Of A Year), and Down To Nothing.
