Showing posts with label black flag. Show all posts
Showing posts with label black flag. Show all posts

Monday, October 12, 2020

Black Flag - The Complete 1982 Demos Plus More!

See, I told you I'd be right back to some dumb punk rock shit.

The Black Flag/Unicorn/MCA injunction is one of my favorite stories about the music business. Flag signs a deal with Unicorn Records to co-release "Damaged", gaining Black Flag access to better distribution. Al Bergamo at MCA, Unicorn's parent company, hears (about) "Damaged", decides it's "anti-parent", and blocks it from release. SST restickers the 25,000 LP run on Unicorn. Unicorn files suit against Black Flag for breach of contract, leading to contempt of court charges against Greg Ginn and Chuck Dukowski and a three year embargo against any releases under the Black Flag name.

So it came to be that it took three years, and two lineups, until the Flag would fly again. Robo left his drum stool shortly after recording "Damaged", and in his place would sit Chuck Biscuits, formerly of D.O.A. While nothing official was ever released from this five-piece, they did record a number of demos, collected here on this bootleg CD-R. We get a mix of tracks from "My War" and "Slip It In", featuring Rollins on vocals, Ginn and Cadena on guitars, Dukowski on bass, and Biscuits on drums. I really prefer the '82 quintet. I think Bill Stevenson's drumming continues to get better over time, but Biscuits was at the top of his game on these demos. Hank still hasn't dove full-blown into LSD poet, and Dez on second guitar allows Greg Ginn to go wild, while still retaining an underpinning on the songs. It's also the Dukowski's last recordings with the band before the Duke would move onto SWA. In short, it's a leaner, meaner version of a pair of classic hardcore/grunge records that wouldn't come out for another two years.

And, because I'm a giver, I've left on the 1984 Radio Tokyo sessions that typically appear on CD versions of the 1982 demos. It's three songs from "My War" and an interview, featuring bearded Henry Rollins, stoned Greg Ginn, Kira Roessler on bass and Bill on drums. It's a cool tack on, considering Kira didn't otherwise record any of the "My War" cuts, and I'm always a fan of a "live in the studio" session.



Click here to download.

Friday, May 29, 2020

Los Campesinos! ‎– The International Tweexcore Underground

Los Campesinos! was probably one of the first bands I heard of exclusively from the Internet.

I was a few years into suburban married life, and I desperately missed going out regularly to see shows and hang out, in addition to dealing with as-yet-to-be-diagnosed mental illness. I'm sure it was a thrilling combination for my ex-wife. I had no interest in Napster or Limewire, mainly because I never gave a shit about Linkin Park and I owned all the Metallica I ever needed to own. While MRR and Punk Planet still existed, there weren't equivalents for what could still be called "indie rock". So thank the gods for music blogs, because I would have otherwise fallen off completely. Somewhere during that time, one of the indie writers I read on the regular posted an EP from this Welsh group that sounded like a K Records group all hopped up on Mountain Dew. What was not to like? Within a few months, I saw the "Death To Los Campesinos!" video, and it was a lock:

Cute British boys and girls making music? Is that singer wearing a Crass t-shirt (note: it was a Xiu Xiu tee)? Are they getting attacked by memes? I fucking love it! So I went to the website of this UK indie distributor, slapped down $12, and ordered "The International Tweexcore Underground".

So what you get here is a non-LP single in the form of the title track, a Heavenly cover, and a Black Flag cover, none of which I was aware of when I ordered the single. There are some sterling lines in "The International Tweexcore Underground": "Said, 'How're you gonna bring the state down /When you're propping it up?' / With daytime radio / And skimmed milk and soppy bows". Man, that's pretty goddamned subversive. They refer both Amelia Fletcher and Henry Rollins within the song, which lead into the two covers on the EP. This isn't LC!'s finest hour, but this EP stands as an entry point for me and a lot of the rest of the world. It's full of piss and vinegar and sentiment and if it were a Simpsons character, it'd end up on the cover of Non-Threatening Boys.

Within two years, I'd left my married home, and met a girl, who'd take me to see Los Campesinos! on our third date. We've been together since.
Click here to download.

Read This One

Post #400: Double Dagger - Ragged Rubble

It took from May to August 2000 to go from 100 to 200 posts. Then I hit 300 posts two days before Christmas 2000. And now I'm here, anot...

People Liked These