Iggy And The Stooges - I Got A Right

Both Jesus and I love the Stooges. But I've never been one of those obsessive Stooges collectors, tracking down all the post-"Raw Power"/pre-"The Darkness" pseudo-legal releases and variations on songs that were already damned perfect. Give me the Rhino expanded versions of "The Stooges" and "Fun House", both the Bowie & Iggy mixes of "Raw Power", and a copy of "Metallic K.O." and I'll be pretty satisfied.

But I'm no sucker. When I stumble across a $1 copy of anything from the Iguana Chronicles, I'll snatch that up in two seconds flat. This 1995 CD release of the two classic "Raw Power" outtakes "I Got A Right" and "Gimme Some Skin" expands both the 1977 7" and the 1991 12" on BOMP! You get a pair of instrumental versions of "I Got A Right", a live version from 1977 that was performed in Paris nine days after I was born, and a fresh take of "Gimme Some Skin". I've always felt "Gimme" was a pretty jive song, but "Right" is a total ripper, and I like getting so many versions all together.

Maybe it's all a bit superfluous, but, like I said before, I'm no sucker. I'll take it whenever I get it.

Discogs

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various artists - Reggae Chartbusters Volume Four

So this is where the series gets interesting.

Trojan didn't release a fourth volume of "Reggae Chartbusters" back in 1972 or 1973, opting instead for continuing the "Club Reggae" series and kicking off "Trojan's Greatest Hits". That didn't keep Trojan from surveying from 1971 to 1973 in this 2009 release.

You see where JA reggae and UK reggae are diverging during this period. There are a pair of Bob Marley & the Wailers tracks on this (leftovers from their pre-Island output) and a Dennis Brown cut, but that's it for roots reggae here. The rest of is that pop reggae ilk that was pretty safe for English folks in the early 70s, but was out of step with the soon-to-be dominant sound coming out of Jamaica.

None of that is to imply this is bad, to be clear. There's music from Dandy Livingston, Joe Higgs, Toots Hibbert, Desmond Dekker; all heavyweights. But the tell here is the presence of Judge Dread's "Big Seven". I love his schtick, but his appearance maintains the theme. This was a series made for white audiences, with a minimum of nasty Rastafari or politics. Groups like Greyhound and Blue Haze wouldn't otherwise stack up to the likes of Sound Dimension or the Supersonics.

It's still pretty good, tho. Better than a sharp poke in the eye, to be sure.

Discogs

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Deep Throat Anthology, Parts I & II

Linda Lovelace and Harry Reems in Deep Throat (Gerard Diamano, 1972)

I've always been drawn to the feature-length pornography of the 60s, 70s, and 80s, aka The Golden Age of Porn. It's not necessarily because of a prurient interest (although I'm not just reading Playboy for the articles, if you know what I mean). I'm interested in it for the same reasons I like watching American International movies from the same period, or listening to lo-fi, limited edition cassettes, or finding yellowing paperbacks at the bottom of a box. It's all low culture shaping high culture; in this case, it's the start of a sex-positive culture.

Also, the music slaps.

I mean, when you're describing makin' LUV to your honored partner, doesn't "BOW WOW CHICKA WOW WOW" come to mind, if not get verbalized? Even if you don't engage with hardcore pornography, the soundtracks are part of our cultural language. They were made by under-recognized composers, who often filled the role as performer. AND they were made under less-than-optimal circumstances: sometimes written and recorded within the space of one or two days.

The soundtracks to Deep Throat and Deep Throat Part II are infinitely interesting to me, and should intrigue you as well. There is little to no background available on the recordings from Deep Throat, due in great part to the U.S. government having seized the master tapes during their 1976 Memphis obscenity prosecution. So no one is quite sure who recorded what, who wrote the score...nothing. It was also a press-only giveaway, so the original pressing is worth a pretty penny.

The soundtrack for Deep Throat Part II, the R-rated sequel released in 1974, is more documented. Kenny Vance, working under the pseudonym T.J. Stone, put together an outstanding slab of sleaze soul. The two tracks featuring vocals from Laura Greene are particularly good. The soundtrack, along with lead single "She's Got To Have It", were the lead releases from Bryan Records, the label wing of noted mob-owned film distributor Bryanston Distributing Company. Bryanston, as we all know, was the short-lived distributor of The Texas Chainsaw Massacre, Dark Star, The Way of the Dragon, and the Andy Warhol/Paul Morrissey films Blood for Dracula and Flesh for Frankenstein.

Look, this isn't my favorite porno soundtrack (that would be Patrick Cowley's Fox Movies work...duh), but it's more than just a curiosity. Give it a listen.

Discogs

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