various artists - Hi Records - The Early Years Vols. 1 + 2

I grabbed this off a shelf at Value Village a number of years ago b/c I'll check out anything that came out of Memphis. And while this has no more in common with the likes of Al Green and Willie Mitchell than a record label and city, this was a pretty rad find, chock full of sounds that I wouldn't typically check out.

Ace Cannon is the one name I was familiar with going in, making an early appearance backed by Bill Black's Combo. Along with Bill Black's Combo, there are other names to look deeper into here: Gene Simmons, Tommy Tucker, Jerry Jaye, and Jay B. Loyd all turn in multiple cuts from Hi's first round of singles, released over the first couple years of the label's existence.

If you're into the depths of early rock 'n' roll, this is a good one to tune into.

Discogs

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"Mississippi" Fred McDowell - Live At The Mayfair Hotel

I'm not sure why exactly it started, but I got it in my head recently that I was going to start collecting all the Infinite Zero Archive releases. For the uninitiated, Infinite Zero was an imprint that operated under American Recordings from 1994 to 1997, serving as a reissue label. The releases were chosen by Henry Rollins and Rick Rubin, a duo who, regardless of how you feel about their own music, have pretty fucking impeccable taste. I mean, if in 1994 you're going to launch with Devo, the Contortions, and Gang Of Four, you're WAY ahead of the curve.

So I've been slowly accumulating what I didn't already own. There are a couple of Alan Vega reissues, adrift in Postal Service limbo. I've had my eye on a copy of "Black Monk Time", not really wanting to drop $12 before Christmas on something for myself. And I snagged this lil 5" slab of aluminum last week, having appeared in a local record store for less than half what I would have paid online.

Fred McDowell was 55 (so the liner notes say) and had been playing the blues for nearly four decades when he was "discovered" and exposed to a greater audience by Alan Lomax in 1959. He was a master of slide guitar, an influence on the Rolling Stones, and a mentor to Bonnie Raitt. It was on his second trip to the UK that "Live At The Mayfair Hotel" was recorded. It's a nasty-ass record, with McDowell playing a biting electric guitar, so much heavier than his earlier Lomax field recordings or his sides for Arhoolie. "Live" had originally been released across two records on the eastern British blues/R&B label Red Lightnin' in the mid-80s, but was remixed and compiled together for the first time here.

I can't speak with any level of scholarship about the blues; I definitely don't have any authority on the subject. But I do know what I like, and I like this. I can hear the roots of Fat Possum on this record, of the Gun Club and the White Stripes. If you come across a copy in the wild, definitely snag it.

And, yeah, as I grab more of the Infinite Zero releases that are out of print. I'll post them up. It's only fair.

Discogs

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Lucero - The Coldwater Sessions

Lucero, circa 2017 (photo from Arkansas Democrat-Gazette)

I had thought about waxing poetic over how in love with Lucero I was from 2003 to 2011. The first time I heard them, I thought it was a perfect mix of the Replacements, Jawbreaker, and Waylon Jennings...the perfect answer to the question, "What happens when punks want to make country music?" I booked them on their "That Much Further West" tour into a warehouse called the Broasis; it was probably the largest gate I'd ever done, but I only made money off of beer. The final time I saw them was in 2011, and involved breaking up a fight between my girlfriend's best friend and a bouncer three times her size. I haven't really listened to anything of theirs since "1372 Overton Park"; I suppose I just got fixed on diving into old RCA records from the 50s, Gram Parsons and "Outlaw Country", Sturgill Simpson and Kitty Wells.

I think I downloaded this from the wonderful, greatly missed blog Captain's Dead back when they posted it in 2007. While the title makes reference to the now-legendary "Coldwater Recordings" tape, this is actually a combination of early demos and different mixes of songs from their early history; I'd guess it was recorded in 1998 and 1999, based on when the songs would appear on a general release. I thought it'd make sense to annotate what you're downloading today. I can't claim this is perfect information, so if you have better or different information, feel free to share it in the comments. Cuz knowledge is power!

1. "Heart So True" - originally appeared on the "A Heart So True" demo. Also known as "Poor Heartache".
2. "All the Same To Me" - originally appeared on the 1998 "Cowboy" demo and 2001 comp "Listen To What I'm Made Of: Songs By and For Shannon Yarborough" on File 13. Later re-recorded for "Nobody's Darlings"
3. "Dangerous Thing" - an alternate mix of the track that'd appear on Lucero's self-titled release.
4. "Dodging Bullets" - otherwise unreleased or re-recorded.
5. "Drink Till We’re Gone" - an alternate mix of the track that'd appear on Lucero's self-titled release.
6. "No Title" - also known as "Was That You I've Been Kissing?" Appeared on "The Coldwater Recordings" demo.
7. "It Gets Worst at Night" - an alternate mix of the track that'd appear on Lucero's self-titled release.
8. "All Sewn Up" - an alternate mix of the track that'd appear on Lucero's self-titled release.
9. "Raising Hell" - an alternate mix of the track that'd appear on Lucero's self-titled release.
10. "Banks of the Arkansas" - an alternate mix of the track that'd appear on Lucero's self-titled release.
11. "It Doesn't Get Any Better Than This" - an alternate mix of the track that'd appear on Lucero's self-titled release.
12. "All These Love Songs" - an alternate mix of the track that'd appear on Lucero's self-titled release.
13. "Hold Fast" - an alternate mix of the track that'd appear on Lucero's self-titled release.
14. "Ain't No Roses No More" - an alternate mix of "No Roses No More" that'd appear on Lucero's self-titled release. 
15. Instrumental - otherwise unreleased or re-recorded.
16. "Blue and Grey" - an alternate mix of "The Blue and the Gray" that'd appear on "The Attic Tapes".

As an added bonus, please enjoy the flier for the Lucero show I booked 17 YEARS AGO! Goddamn I'm getting old. I think the Spark was the fourth band on the bill, making it a real punk rock show. Nolen from Double Dagger was my photo model; I snapped this tightly cropped shot of him the night DD opened for the Buzzcocks. Crack a cheap pilsner and listen to this one on the porch.

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