Showing posts with label new line records. Show all posts
Showing posts with label new line records. Show all posts

Monday, October 14, 2024

Post #600 - A Dirty Shame (Original Motion Picture Soundtrack)

I'd had this idea once that I would gather all the soundtracks from John Waters' filmography, and post them here, along with my thoughts on the film and sounds. Clearly, I've not followed through until now, and I don't think I'm going to do it, but better to disclose, I suppose.

This is, at this late date, the final feature from the Baltimore auteur, a development that makes me sadder every single day. While a lot of folks don't think highly of "A Dirty Shame", I like it just fine. I love the ongoing images of Tracy Ullman manning the register at a High's Dairy Store, Johnny Knoxville hanging out on Harford Road, Selma Blair flouncing about northeast Baltimore. By the time this came out, I had a few friends who'd bought houses out where this was shot. I still lived downtown, so I took joy in calling them neutersm teasing them for finding housing outside the Beltway.

"He who fucks nuns/will later join the church," the saying goes. And the author types it up in a comfy suburban apartment, overlooking a pool turning green in the fall's light.

The soundtrack reflects Mssr. Waters' taste to a T; a mix of rockabilly, jump blues, rhythm & blues, novelty cuts, and early rock 'n' roll. James Intveld's score gets represented with "Let's Go Sexin'"; fine advice, if I've ever heard it. It's all enough to make a Balmer boy miss home, to lust for a RoFo 2-piece and a roll, a trip to Sherri's Showbar, some late night hangs Holiday House.

Click here to download.

Thursday, April 21, 2022

various artists - A Date With John Waters

As a teaser to the next Criterion Collection preview, I present to you one of the finest outings you can undertake: A Date With John Waters. I remain a huge fan of Towson's own, a man whose impeccable taste in music neatly pairs with his delightfully trashy aesthetic. His soundtracks have always been these cool collections of outsider music, whether it's been the collection of 50s rhythm & blues and rockabilly in "Pink Flamingos", the foundations of soul present in "Hairspray", or the Locust and Meatjack alongside Liberace and DJ Class in "Cecil B. Demented". It's all a young punk ever needed.

"A Date" came out a few years after John's final theatrical release, "A Dirty Shame", and, yeah, it's a fucking tragedy the man can't get $5-$10 million from a studio to knock out another film or two, his way. But if the reward for us is his published output since 2004, yearly spoken word appearances around the world, an emeritus position amongst exploitation filmmakers and a regular source of inspiration for all us perverts...well, it's a fine consolation prize for me. I could go for another curated collection of music where Dreamlanders Edith Massey and Mink Stole get slotted alongside Ike & Tina, Elton Motello, Josie Cotton, and Ray Charles. This will have to suffice.



Click here to download.

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Post #400: Double Dagger - Ragged Rubble

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