Robert Mitchum - Calypso - Is Like So...

I've been planning for months to start a new series, focused on the 90s reissue label Scamp. Scamp was an imprint of Caroline Records, focused on easy listening, lounge, bossa nova, middle-of-the-road, tiki, and other 50s and 60s curiosities from the greater EMI label family. Why, you might ask, would a blogger of punk and reggae be drawn to lounge music? Probably for the same reason why these reissues came into existence in the first place. You get older, and no matter how much you might love three chords and the truth, you just don't necessarily want to listen to it all the time. Not to mention it, but I, like most of you, have been stuck inside for most of the past ten months, and you gotta collect something, right?

I'll be sharing these passports to excitement weekly, according to catalog number, every Friday, just in time for you to pull out the liquor and mixers, put a new download on the speakers, and enjoy your own throwback happy hour. If nothing else, I've committed to 23 more blog posts. It's good to set goals.

First up is SCP 9701: the 1995 reissue of Robert Mitchum's 1958 debut, "Calypso - Is Like So...". Originally released by Capitol Records, the record was inspired by Mitchum's interactions with the calypso scene in Trinidad during the filming of "Heaven Knows, Mr. Allison". As far as actors making records goes, it's in my top five all-time. Whereas this would sound like crass appropriation in someone else's hands, Mitchum obviously gives a shit, and sounds so smooth doing it. It's clearly a white guy singing a white version of calypso; there's little to no innuendo present, something that makes listening to the likes of Mighty Sparrow so much fun. But there's real passion present, and Mitchum's singing voice is so strong.

Say what you will about the music, but don't you dare front and act like Robert Mitchum doesn't look like the coolest motherfucker alive on that cover. I've had two drinks all year, and I'm ready to climb off the wagon and onto that stage to split a rum and get eyebanged by the star of "The Friends Of Eddie Coyle".

You'll still find this regularly in thrift store bins, although I've never seen a Capitol pressing that hasn't been beat to hell. The Europeans are much more hip to what a great record this is; if you're looking for a vinyl copy, I definitely recommend snagging the 2010 Bear Family pressing, who cut a DMM disc on 180g wax. It sounds hella good. Surprisingly, this Scamp release is the last American release to date of this underheard classic, and one of only a handful of CDs that have come out over the last 40 years. But that's the point of writing about it, right?

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