Showing posts with label post rock. Show all posts
Showing posts with label post rock. Show all posts

Thursday, July 23, 2026

various artists - San Diego Is Burning

The timing of this posting is apt, because for 10 years of my life, I would spend this specific week in San Diego, working Nerd Prom. They may call it San Diego ComicCon, the official name might be ComicCon International, but, for a decade, I would fly in from the East Coast to meet with vendors and licensors, talk toys, and dream of sneaking out to the Casbah for a few hours while the rest of the city focused on superheroes. They were heady days, full of far too much drinking, far too little sleep, occasional brushes with A-listers and D-listers, and very mild weather. I always thought it would be a nice place to live if I weren't already embedded in Baltimore, then Atlanta, then Seattle.

I snagged this one as part of a larger Discogs order last year, a dollar CD featuring the Black Heart Procession, the Dropscience, and Kill Me Tomorrow. Like so many other scene surveys, the results can be hit or miss. I'm always going to give No Knife a spin, and the Champagne Kiss track was a very pleasant surprise upon first listen. This mostly reminds me of my years of an upperclassman in college, booking shows in between student films and term papers. I see a name like Goodbye Blue Monday and it immediately triggers a memory of an email from a booking agent, looking for a mid-week opening on a bill. The memory, like this comp, is not unpleasant.

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Monday, June 8, 2026

various artists - Mojo Presents: Kidology (A Radiohead Companion)

Side note: I moved a bunch of old links over from Mediafire to Workupload. So if you've encountered a dead link in the past, it's high time you gave it another shot.

This is another Mojo freebie where I really wish I had the issue that this comp came with. Yet again, I find myself wondering how some of these songs relate thematically. Sure, I can get Mingus and Messiaen and Slint as inspirational touchpoints. And clearly there are a pair of Radiohead covers present. But it's another instance where how this was compiled would be a lot clearer if I just had the copy of Mojo. The "why" matters to me. It probably shouldn't, but I'm kinky that way.

This one leads off with Clinic, Can, and Charles Mingus, and that's pretty solid a trifeca as you'll find on one of these. Truth be told: I think I'd rather listen to each of the artists here, rather than Radiohead. I won't give any sort of Pitchfork-y snark; I'll just say I'm kind of worn out by them. And that's as someone who definitely queued up for a couple of midnight Radiohead releases.

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Monday, June 1, 2026

various artists - Heavy Nuggets Vol. 4 (13 Sabbath Inspired Tracks)

Rabbit, rabbit, my friends. We've made it this far into 2026; let's keep going. Happy June.

An old friend of mine, the last person I attended high school with who I still stay in contact with, celebrated their 50th birthday last weekend. When I think of bands like BORIS and Sleep and the Obssessed, I think of him. Where I dove deeply into the the numerous branches of punk, he explored the world of metal. So when I'd want to know if it was worth picking up a new record from Sunn O))) or Boredoms, I'd turn to him. Matt's a fountain of information, and has impeccable taste. Just a good dude.

Happy birthday, old pal. I wish I'd been back home to celebrate you in person.

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Thursday, May 21, 2026

various artists - Fort Reno Benefit Compilation

As summer approaches, I start thinking about outdoor shows. And that's because I spent my formative years driving down I-95 to DC to dodge summer thunderstorms to watch punk rock outside in the dusk of the capitol, on the site of a Civil War fort in Northwest.

There have been shows held at Fort Reno since 1968, but, for me, it was a great way to see Fugazi every year for free. Not that $5 was ever a burden, but it was nice applying that fiver towards making the 3-hour round trip to the historic park. I saw some amazing sets from the DC quartet, and got introduced to a ton of the younger bands from the Metro. A lot of them appeared on this 1997 benefit compilation for the music series, put out by Resin Records. Resin was run by Carlton from the Better Automatic, who put out 16 records over six years, all of which I own and most of which I still view favorably. The big names here are the Dismemberment Plan, Chisel, and Trans Am. Corm was John Davis' pre-Q & Not U band; the Impossible Five put out a single LP on Gern Blandsten and were outstanding when I saw them at the park in '97. I never got to see Smart Went Crazy live, but "Con Art" remains my favorite underheard record on Dischord.

Like all great compilations, this one is a curated snapshot of a scene. Some of these performers went on to bigger things; some of the bands were only heard here. But listening to this (Jesus) 29 years later immediately brings back a Discman velcroed to the dash, stickiness briefly interrupted by gentle winds atop the highest natural point in WDC, and pilgrimages to hear something new and brilliant. That's a great feeling. 

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Thursday, May 14, 2026

various artists - Insound Tour Support Collection Vol. No. One

It seems weird that I've only written about the Insound Tour Support series once, for how many of them I ended up with and how many times they got me onboard with a band or an artist. The Kind Of Like Spitting release, in particular, is the thing that got me listening to Joni Mitchell, Leonard Cohen, and Leon Redbone. I heard the Canyon EP before I saw them live, even though they were based in DC and were dudes from emo bands playing Neil Young-style country rock...a genre engineered to grab my early-20s interest.

A lot of this is now hitting the quarter century mark, which explains why the original records are being revisited (s/o to Numero Group and Solid Brass for their ongoing reissue programs). So I thought it was a good opportunity to finally post this one up. It compiles a fair amount of the bands who appeared in Volumes 1-19. And like a lot of what I share here, it's a good snapshot of indie rock in the years around 9/11. Bright Eyes, Ida, and the Faint are the biggest names here, although relistening to this makes me wish I had held onto my copies of the Lion compilation EP and the Very Secretary release.

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Thursday, March 26, 2026

various artists - Monitor This! April / May 09

This comes to us courtesy of the Missus' record collection. She brought some truly exceptional recordings to our now-shared collection. And some pieces like this, a freebie that came with purchase of an associated title. I would hope that she purchased Doves' "Kingdom Of Rust"; I fear it was instead Rocco DeLuca & The Burden's "Mercy".

So why share something I mostly don't care about? Well, in the course of researching this series, I uncovered that this was the audio giveaway from the Record Exchange, a branch of which was the first record store I ever spent my hard earned dollars. I bought my first Fugazi record from the Record Exchange in Roanoke, along with demo tapes for a bunch of mostly-forgotten alternative and punk bands from south-western Virginia. "Music Monitor" was just as important a source of information as "Rolling Stone", "HeartattaCk", and "Maximum Rock & Roll". So this sampler, headlined (for me, at least) by Doves, Diana Krall, and Lady Sovereign, brought back a few fond memories of well-spent youth, digging in the crates and discovering a world I knew little about.

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Thursday, February 5, 2026

various artists - Dim Mak Records Sampler, "I'm like a stepping razor don't you watch me i'm dangerous

Long before Steve Aoki became a famed cake thrower, but after he booked HC & emo bands to play shows in his dorm room at the Pickle Patch at UCSB, he was a purveyor of some renown for the cutting edge of indie rock. This 23-year-old relic comes from just before he linked up with Bloc Party and helped break them here in the States. So it has sprinklings of fun stuff from Pretty Girls Make Graves, Panthers, the Gossip, Die Monitr Bats, and the Von Bondies. I'm partial to the contribution from post-Huggy Bear outfit the Phantom Pregnancies, as well as a live Soledad Brothers cut. It's a fun reminder of the time when the hardcore kids were playing house records alongside riot grrrl, and coke mirrors with the logo of your band were a crucial element of your show merch. 

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Thursday, January 22, 2026

various artists - Jetset In-Flight Entertainment

I couldn't quit y'all.

Jetset Records came to my attention in 1997 with their release of a Jesus Lizard 10" and the American version of Mogwai's first LP, along with a collection of their earlier recordings. TJL was a known quantity, although on the back end of their original run as kings of noise rock. And one of my best friends, an Anglophile who'd been buying a bunch of Chemikal Underground records back then, swore by Mogwai.

So that sets the scene for me getting a copy of this sampler in 1999. Mogwai's moved on to Matador here in the States, releasing "Come On Die Young" and blowing many minds. I'm familiar with who the Go-Betweens, Macha, and Firewater are, even though I haven't heard them then. I'm tickled by a band going by Prolapse, and the rest are brand new to me.

In retrospect, this is one of those perfect samplers. It's a comp built for me, the young indie rock enthusiast with a fistful of expendable income. I'm pretty sure that, with the exception of Tomorrow's World and Kid Silver, I bought every record represented here. "Bedhead Loved Macha", "The Lost Album", "England Made Me": all recordings released around this time that I still revisit on the regs.

My copy came in this clear, round clamshell, while Discogs says this came in a generic cardboard sleeve. For whatever that's worth to ya.

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Thursday, November 6, 2025

various artists - Beggars Group Spring 2005 AAA Radio Sampler

Two songs each from the National, the Mountain Goats, Stereolab, Natascha Atlas, and Electrelane, with a bonus cut from Scout Niblett. And if you're familiar at all with any of those bands, then you know what you're walking into here.

It's a pretty solid sampling I would have been happy to spin on the AAA radio format I DJ'ed for back in the 90s. I would have been stoked to play Stereolab instead of, I dunno, Dar Williams. And being of dad age, the National and Mountain Goats fit my demographic to a tee.

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Post #400: Double Dagger - Ragged Rubble

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