In honor of that sentiment, as well as the unofficial end of summer coming today, here's a now-out-of-print collection of Heptones recordings, circa 1976, the great majority of which have never been released anywhere else. It's only been in the past couple of years that I've branched out to embrace any roots reggae or lover's rock. What I had previously dismissed as second-rate Bob Marley now opened up, in great part to all the dub I'd been finding cheap and listening to since moving to the PNW.
The Heptones were a remarkable trio of vocalists whose history together dated back to the late 1950's as a street-corner harmony group. They'd gather together in 1966 for their first recording sessions, cutting a trio of rocksteady albums for Studio One before slowing down their sound. They'd work with a variety of producers from 1971 to 1975, before convening at the Black Ark, Lee Perry's renowned studio, at the behest of Island Records to make "Night Food".
What's cool about these recordings are not only the outtakes from a group at the height of their powers, but also the intersection of so many awesome musicians backing them. Leroy Sibbles would leave the group within a year of cutting "Night Food", but you couldn't tell by the level of performance heard here. A key chunk of the Wailers would back the Heptones here, contemporaneously with the recording of "Rastaman Vibration". Credited as the Wailers All-Stars, the Brothers Barrett, Touter Harvey, and Chinna Smith all lay down some amazing riddims. Of course, the standout is the engineering of Lee Perry. This was one of the final sessions held at the Black Ark before Perry burnt it down. The production is just out of this world; the collaboration between Perry and the Heptones would continue into Perry's "Super Ape" and the final classic-lineup Heptones release, 1977's "Party Time". To me, this is a perfect jam for the last warm days of the year.
3 comments:
Many Thanks! Be Well. And stay safe if you're in Portland.
Wow, you have been posting some super rare and interesting finds lately! Thank you for this special treat. It's still hot here in the Southeast, but when I'm in the mood for dub (which is often) I let the windows down and watch the bass rattle the mirrors.
@jonder: blush. I've been real lucky to not only track down some treasure since moving out here, but also to hold onto so much of my collection over the years. I hope to keep bringing the hits!
@Gill: I'm north of Seattle in Boeing country. Not a lot of tension here, thank goodness, although a ton of folks who refuse to wear masks.
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